1. The Addams Family (1964): The Addamses are a close-knit extended family with decidedly macabre interests. They all have supernatural abilities, although no rationale for their powers is ever explicitly given.The very wealthy, endlessly enthusiastic Gomez Addams is madly in love with his refined wife Morticia. Along with their two children, Wednesday and Pugsley, Uncle Fester and Grandmama, they reside in an ornate, gloomy, Second Empire style mansion, attended by their servants, Lurch, the towering butler, and Thing, a hand that usually appears out of a small wooden box. Occasionally, episodes would feature relatives or other members of their weird subculture, such as Cousin Itt or Morticia's older sister, Ophelia. Much of the humor derives from their "culture clash" with the rest of the world. They invariably treat normal visitors with great warmth and courtesy, even though their guests often have evil intentions. They are puzzled by the horrified reactions to their good-natured, if extremely bizarre behavior, since they are under the impression that their tastes are shared by most of society. Contrarily, they view "conventional" tastes with generally tolerant suspicion. For example, Fester once cites a neighboring family's meticulously maintained petunia patches as evidence that they are "nothing but riff-raff."The tone was set by series producer Nat Perrin, close friend of Groucho Marx and writer of several Marx Brothers films. Perrin created story ideas, directed one episode, and rewrote every script. Much of the dialog is his (albeit uncredited). As a result, Gomez, with his sardonic remarks, backwards logic, and ever-present cigar (pulled from his breast pocket already lit), has been frequently compared to Groucho Marx. In addition, the series often employed the same type of zany satire and screwball humor seen in the Marx Brothers films. It lampooned politics ("Gomez, The Politician" and "Gomez, The People's Choice"), the legal system ("The Addams Family in Court"), Beatlemania ("Lurch, The Teenage Idol"), and Hollywood ("My Fair Cousin Itt").
2. Bewitched (1964): A young-looking witch named Samantha (Elizabeth Montgomery) meets and marries a mortal named Darrin Stephens (originally Dick York, later Dick Sargent). While Samantha pledges to forsake her powers and become a typical suburban housewife, her magical family disapproves of the mixed marriage and frequently interferes in the couple's lives. Episodes often begin with Darrin becoming the victim of a spell, the effects of which wreak havoc with mortals such as his boss, clients, parents, and neighbors. By the epilogue, however, Darrin and Samantha most often embrace and confound the devious elements that failed to separate them. The female witches have names ending with the soft "-a" sound (with one exception, "Elspeth," in season 4 episode 15). Their male counterparts are known as "warlocks." The witches and warlocks are very long lived; while Samantha appears to be in her twenties, many episodes suggest she is actually hundreds of years old. To keep their society secret, witches avoid showing their powers in front of mortals other than Darrin. Nevertheless, the perplexing unexplainable effects of their spells and Samantha's attempts to hide their supernatural origin from mortals drive the plot of most episodes. Witches and warlocks usually use physical gestures along with their magical spells, and sometimes spoken incantations. Most notably, Samantha often "twitches" her nose to perform a spell. Modest but effective special visual effects are accompanied by music to highlight the magic.
By Richard Moody, Tanya Ross & Greg Ross
3. The Muppet Show (1976): Since 1969, Sesame Street had given Jim Henson's creations exposure; however, Henson began to perceive that he was pigeonholed as a children's entertainer. He sought to create a program that could be enjoyed by young and old. Two specials were produced and aired that are considered pilots for The Muppet Show. Neither led to the sale of a prime-time network series. However, the prime-time access rule had just been enacted, which took the 7:30 to 8pm ET slot from the networks and turned it over to their affiliates. CBS suggested it would be interested in Henson's proposal as a syndicated series it could purchase for its owned-and-operated stations, to run one night a week in that time slot.Lew Grade, head of the British commercial station ATV, offered a deal to Henson that would see his show produced at the ATV studios in Elstree, England. ATV would network the show to other ITV stations in the United Kingdom, and its distribution arm, ITC Entertainment, would sell the show in the United States and around the world. Henson put aside his misgivings about syndication and accepted.At first, signing guests was a challenge and producers had to call on their personal contacts. The breakthrough was the appearance of the ballet dancer, Rudolf Nureyev. His appearance on such an unusual show generated such positive publicity that the series became one of the sought-after productions to appear in. The Muppet Show premiered in 1976 and finally, after five years and 120 episodes, it went off the air in 1981 because of Henson's desire to move on to other projects and the sale of ATV's Elstree studios.
By Scott Moody
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